Classical singers

Argentina Soprano Singer

Marcela started her singer studying with Gloria Sopeño, and later on with Marisa Biasotti, Amalia Estéve and Maria Kallay. Parallel to her singing lessons she studies piano and solfeo with Hulda Mosatelli, musical language at the Juan José Castro de La Lucila musical conservatory, French, German and Italian diction with the maestro Esteban Collado (Theatre Colón in Buenos Aires)
During her adolescence she formed part of various different musical style vocal a capella groups and choirs, interpreting various symphonic-corals as a chorister and soloist: Mass in G by Schubert, Gloria by Vivaldi, Mass in C major, G, Bflat and Mozart’s Requiem, amongst other and the chorus of La Opera Tosca by Puccini.

In 1996 she is received as a musical therapist in the department of medicine at the University of Salvador. Later she travels to Mallorca where she received singing classes from Eulália Salbanyá, and she gives a concert together with the pianist David Mohedano in Port Pollensa.
In July 2001 she participated in the international Balearic Island singing competition, imparting singing classes with Carmen Bustamente, repertory with Manel Cabero and corporal technique with Peter Mac Farlane.
In November 2001 she gives a lyrical concert at the Porteño theatre “La Scala de San Telmo” in Argentina, accompanied on piano by Miguel Erglis, interpreting works for camera and opera arias.
She sings along side the Benjamin Britton Orchestra under the direction of Martin Bascuñana together with the mezzo soprano Marisa Roca for the popular fiesta “Dijous Bo”.

In 2003 and 2004 she worked as a singing teacher at the Poyensa School of music in Mallorca. In 2006 she participates in the series of concert called “Winters in Mallorca” together with the concert pianist S.Bardbury in different venues and churches around Mallorca.
In Buenos Aires, in 2004 she gives a concert at the Stella Maris theatre together with the pianist Miguel Erglis and in January 2007 a concert at the Quinta Pueyrredón de San Isidro together with the pianist Claudio Santoroand and in 2008 in the Stella Maris theatre with musicians from the orchestras of the theatre of Colon in Buenos Aires Vieneses with the participation of the soprano singer Verónica Cerezo, Isabel, and Mariano Iguanzo under the musical direction of Ramiro Soto Monllor.
In 2008 she is invited to participate in the master classes of the great tenor Enrico Facini organised by the Mallorca music festival.
Currently she is teaching singing and is the director of a number of choirs in Mallorca and continues to perfect herself with the teachers Jean and Eric Garret in London.

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Rosa y el Sauce – Carlos Guastavino
Ave Maria
Caro Nome
Voi Che

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Spanish Tenor Singer

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Por Ti Volare
Nessum Dorma
Medley of Granados - popular Spanish songs


Russian Soprano Singer

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O Mio Babbino Caro
Ave Maria - Shubert
I’l Mare Calmo
Il Bacio


Camera Choir

This camera choir grew out of a musical project that was initiated by the current musical director, which after a careful selection of its members ended up with this formation which has been the same since 2003.

The main repertoire of the choir is vocal music from the renaissance period: Madrigals, Frottolas, Villanelles as well as an important repertoire caldron of sacral polyphony. Without leaving aside other styles, the choir also a repertoire of more popular music from the Balearic Islands and from around the world and also traditional music for wedding ceremonies, as the choir singers understand that music has no frontiers and its language is universal.

The choir’s philosophy is to enjoy singing, learning and bettering themselves each day, each rehearsal and in every new note learnt they strive to “sound better” and we put all of our heart into achieving this. Music is a passionate discipline, one which gives enormous satisfaction to those who dedicated their selves to it. In return it demands a great study effort and compromise which all the choir members assume with great enthusiasm.

The choir has 20 members made up of what would be called a mixed choir, meaning men and women divided into four sections or four “voices” each one sounding with they own melody. Sopranos, contraltos, tenors, bass are the vocal classification and then eventually the choir can be accompanied by instruments (piano, small percussive or wind instruments which are sometimes played by the same singers, orchestra, band etc.)
For smaller events and venues the choir can also perform with only 12 or 16 singers.

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